username
password
remember
Guitar/vocals/songwriter/producer
Richard Studholme has been playing since the 60's concentrating
on Blues/Roots music.
He has played guitar on many of the acclaimed JSP label blues series
and is on CD with Carey Bell, Hubert Sumlin, Louisiana Red,
Rockin' Sidney, Larry Johnson, and Big Jay NcNeely amongst many
others.
He has also toured extensively with these artists, plus many more.
Richard has also played and recorded with Eric Bibb, David Maxwell,
Per Hansen, Mudcat Ward, Arthur Brown, Dave Bronze, The Bluesonics,
The Blues Corporation, with Nicky Moore, appearing on Nickys
"Take Me Home" CD.
He has run his own studio as well for five years and has recorded
many successful projects, including the award winning "Painting Signs"
by Eric Bibb, and "Vampire Suite" by The Crazy World Of Arthur Brown.
Richards new CD "Zoned" was recorded with many friends, including,
from the Gary Moore Band, Andy Pyle and Graham Walker, Bruce Katz
from Ronnie Earl and the Broadcasters, and Britains premier slide player
Roger Hubbard.
It has received fantastic reviews, some of which are included here.

Review of the album 'Zoned'

Richard Studholme - …Zoned!

Tone Zone 0010

 

The British blues scene is greatly indebted to Richard Studholme.  You see, up to somewhere around the mid-eighties, it was generally accepted that US bluesman plus UK band was at best a necessary evil, at worst an unmitigated disaster.  As guitarist and bandleader, Richard helped change all that; his classy support for the likes of, plucking names from memory of random, unheralded harp ace Bill Dicey, Hubert Sumlin, Mojo Buford, Lefty Dizz, Carey Bell, Lowell Fulson, the late Lucky Lopez, and Larry Johnson, live or on record, set new standards for other to aspire to - and the current increased respect for and appreciation of the UK blues scene is witness to his success.

 

            The man himself has hardly been prolific though, so this set of originals and covers is extremely welcome.  As befits the label name, on first listening it is the immaculate guitar tone that impresses, totally appropriate for whatever the song demands.  Appreciation for the conciseness of the playing comes in its wake, as does being impressed by the fine unaccented vocals and admiration for the songwriting and choice of covers, including a couple of less obvious Chuck Berry numbers.

 

            Though there is a fluctuating personnel throughout, Studholme is backed by such long-time associates as bassist Andy Pyle and drummer Steve Thorneycroft; however, some measure of the esteem in which Richard is held can be gauged from the guests he attracts, including slide guitar maestro Roger Hubbard, harpman Steve Weston, Ian Jennings on bass and Hammond organist Bruce Katz.  As I hope is clear, it is only what Studholme deserves.  He also deserves a lot - and I mean a lot - of credit for such a well-crafted album as this.

 

Rating: 9

Norman Darwen